Marcia is a perceptive reader and wonderful interviewer and her questions led me to see things in my poetry that I hadn’t seen before. My favorite part of the conversation was about the poem called “Working The Dotted Line,” which tells the story of the first time an old girlfriend and I had sex, and she was a virgin. What I liked best about Marcia’s reading of this piece was her noticing my mother’s presence in the poem and how that started me talking about something I often encounter but have never given much serious thought. Most of the men I know, even as adults, are deeply uncomfortable with their mother’s sexuality, and I don’t understand it. Or, to be more accurate, while I understand intellectually, I don’t get it emotionally. As well, they often it profoundly disturbing that I am not made uncomfortable not just by the idea of my mother as a sexual being, but by the fact that, when I was growing up, I knew–that she made no effort to hide the fact (though she certainly did not rub it in my face either)–that she had sexual relationships with at least some of the men she dated. I even knew that my mother would occasionally go to bars, or dancing, where men would try to pick her up, or where she might try to pick someone up herself, and it didn’t bother me. Indeed, it seemed to me perfectly natural. Why wouldn’t my mother, who was in her 30s at the time, go out and have a good time, and do things that other single 30-year-old women did when they socialized? My mother has been a single woman since I was around 12 years old, and I have always known that she had a sex life. More to the point, I have never expected her not to have one or to keep it hidden from me. I met all, or at least most (as far as I know), of the men she dated when I was growing up, and it never seemed strange to me or wrong or awkward that she should have men in her life or that I should know she was having sex with them. (Though it was often, I think, awkward for them.) I don’t really have much else to say about this for now, but it is something I want to write about, something I had never really thought to write about until Marcia brought it up. Here is the poem:

Working The Dotted Line

I don’t remember what vacation
I was home for, or how Beth
managed to be in New York
on the one day we’d have
the apartment to ourselves,
but I think I recall
my mother’s hanging crystals
scattering the afternoon sunlight
in small rainbows that shimmied
on the walls and on our skin,
and I can still see Beth stretching
nervous along the length
of the daybed’s mattress,
and my fingers tracing
the ridges of her ribs
as she tugged at my erection.
I’m ready. Let’s do it!

It was her first time, not mine,
but it was my first condom,
and I’d forgotten to read the directions,
so I stood there growing soft,
squinting at the print on the box
telling me the step-by-step
I needed to learn
was on the inside.
I ripped the cardboard open
and sat reading on the bed’s edge,
thumbing the foil-packed
lubricated circle,
trying to visualize
what I had to do.
Beth reached into my lap
to ready me again,
but when I tore along the dotted line,
our protection, like a goldfish
taken by hand from its bowl,
slipped from my grasp
and landed under the desk
my mother sat at
when she paid the bills.
When I picked it up,
it was covered with the dust
and small particles of dirt
that settle daily into all our lives,
so I didn’t put the next one on
till I was kneeling hard
between Beth’s open legs.
She raised herself on her elbows,
smiling that the second skin
we needed to keep us safe
should make me so clumsy,
but once I let go
of what the instructions called
the reservoir tip—I thought
of the dams holding water back
in the mountains near where she lived
and what would happen if they broke—
her smile disappeared
and bunching the sheet beneath her
into her fists, she lifted
her butt onto the pillow
we’d heard would make things easier.

I bent for a quick look
at where I had to go
and climbed up onto her,
trying with one hand
to be graceful and accurate
and with the other
to balance over her
without falling.
At her first grimace
I pulled back. No!
She shook her head, eyes
clamped shut and then
staring wide, her voice
a whisper through clenched teeth,
Just do it! Get it over with!

So I entered her again, trying
from the tightness in her face
to gauge how hard not to push,
but when she cried out anyway,
I left her body one more time
and crouched over her,
my latex-covered penis
nosing downward
towards her navel,
and I placed my palms
against her cheeks,
I cannot hurt you like this!

Look, it’s going to hurt, she said.
There’s no other way.
And I’ve chosen you!

And since I wanted so much to be her choice,
I kissed her eyelids and her mouth,
and with my eyes buried
in the hollow of her neck
moved slowly in
till I felt her flesh
stop giving way. Then,
with one arm around her rib cage
and the other around her head,
holding her tight against my chest,
I pulled down and thrust up
in a single motion I breathed through
like I was lifting heavy boxes.
She screamed into the muscle
just above my collar bone,
bit deep into my flesh,
and, as she bled onto me,
I bled.

We said nothing afterwards.
We didn’t cuddle
or smile at each other as we dressed
or walk hand in hand
to the train that took her home;
and I did not ask her
what her silence meant,
nor she mine, but if she had,
I would’ve told her this:
My wordlessness was shame.
I’d no idea how not to hurt her;
and I would’ve told her
I wanted it to do over,
which is what I’d tell her even now.